When one mentions “Cuba” the image that
instantly comes to mind is the vintage car from the 1950s which is still very
prevalent in the country. But as Cuba changes even some of the objects most
closely associated with the venerated days of yore, such as the classic cars,
are affected. As I was driving through Havana today, I noticed the sticker on
this Ford from the 1950s. It reads in Spanish: “Si mi prosperidad te causa
envidia, haz como yo, trabaja.” Translation: “If my wealth makes you jealous,
do what I do, work.”
This made me think of several things.
First, for me, it is almost sacrilege to deface a what amounts to a museum
piece with such a crass sticker. Second, this is a microcosm of what Cuba is
going through: it wants to maintain its identity, even the one imposed on it by
tourist fascination with objects from yesteryear, while at the same time trying
to modernize its economy and attitudes. Third, the driver of this vehicle
appears to be espousing a very capitalistic sentiment, something that would have
been unheard of twenty or thirty years ago.
Jonathan Culler and Robert Urry,
sociologists who have written about tourism and semiotics would ascribe to this
car the term “alibi” or “marker.” It no longer serves its original purpose of
simply transporting one person from one location to another; it now has become
an institution, a marker of memory and culture and a stronghold where an
important battle is to take place: the Cuba of yesteryear vs the Cuba of
tomorrow.
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